CODED CLASSIC HORROR THEORY “The Uncanny & The Other” “Scenes of excessive brutality and gruesomeness must be cut to an absolute minimum…” “As a cultural index, the pre-Code horror film gave a freer rein to psychic turmoil and social disorientation because it possessed a unique freedom from censorship… the Hays Office admits that under the … Continue reading Chapter 4 – Queers and Dykes in the Dark: Classic, Noir & Horror Cinema’s Coded Gay Characters:
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